Wednesday, February 1, 2012

THE BLACK FOREST

My first book of poems, The Black Forest, looks like this:



You can preorder it! From Octopus Books!

Are are some nice things two of my favorite poets said about the book:

"These poems sock home truth and enact poetic somersaults that leave me out of breath. It's a pleasure to recommend them to anyone brave enough. Chris DeWeese is the real thing, a poet true to his calling."

— James Tate



"Christopher DeWeese's The Black Forest is a world that splinters into halves, fourths, and thirds all at once. The book is actually a forest, or it is many forests, and they're all ones we know, but they don't look the way we remember. When the book ends, we feel very brave, as if we have gone through the tall and muted trees into the darkest place of all, a place of fundamental urges. DeWeese has painted this forest for us so we might see clearly into the fall."

—Dorothea Lasky

AND THERE IS A DEAL: If you preorder The Black Forest and Jenny Zhang's gorgeous book of poems Dear Jenny, We are All Find, Octopus will send you any book from their great catalog FOR FREE!

Sunday, October 9, 2011

LEAVES LIKE WOAH


I live in Northampton now/again. It's good to be back here.

Friday, June 3, 2011

POEM BY GUNTER EICH

QUOTATION FROM NORWAY



We continue to think
the grass on the rooftops,
leave the fjords to the left,
partisans of the fog.
Where can you cry
in this country?
The lemmings
have gone into the sea.
The tobacco pouches
of polar explorers
preserve Time
in little crumbs.


-Gunter Eich, Trans. David Young

Thursday, April 28, 2011

"The Narrows" featured at The Common


The Common is a new print journal dedicated to work that explores a sense of place. It is based out of Amherst College. The first issue is really gorgeous, and I am happy to have two poems in it. One of the poems, "The Narrows," is this week's feature on the Common Online. Check it out! These poems are the first two published from a new manuscript I have been writing for the past year, and I am very excited to have them out in the world.

Friday, January 14, 2011

Everybody and His Uncle by Ron Padgett


You know what is a great magazine? The Sienese Shredder is what. This Ron Padgett poem is from their first issue, published in 2006. I feel like I've been leasing a room in this poem for the past year. "total illusion/and total reality at the same time" = YES



EVERYBODY AND HIS UNCLE

I was waiting to happen.
At a stoplight
the buildings curved up from my ears,
office buildings
with offices in them and people
doing office things, pencils
and paper clips, telephone rings—
Where is that report?
At Echo Lake the vacationers
have made the city only slightly
emptier, how did they get there?
By station wagon and dogsled
in the “old” days. The forest ranger
was Bob. He said we could spell his name
backwards if we wanted, then
our laughter vanished into his tallness.
I thought maybe he was not a forest ranger,
just a guy named Bob, but
it turned out he was part of the echo
of everything around there, which radiated
out a few short miles before the farmland set in.
The farmland had waited to happen
and then it did, just as it knew it would.
A farmhouse appeared and a front porch
and on it sat my Uncle Roy. He was very farmer.
Get on this horse, he said.
But the horse said, Don’t.
I would prefer to play baseball, I said.
Later we took Rena Faye to the hospital.
Darn that horse, Roy said, when his ears
laid back I saw trouble. The light changed,
my shoes went across the street
while I rose straight up into the high part of the air
so as to form a right angle
with the dotted line that lit up behind my shoes
as they turned into pots of gold
receding into that smaller and smaller thing
we call distance. But I was already there
in the distance, I had been waiting my whole life
to be wherever I should be at any given moment,
a ring around not anything. Wake up, Rena Faye,
said Roy, we need to take you to the hospital.
She gave us the most beautiful smile
but it bounced off our faces and we forgot
to pick it up and put it somewhere safe.
It’s probably still lying there on the road
in front of the house. Come to think
of it, I did pick mine up
as I looked out the back window of the car,
and as we skirted Echo Lake
everything got twice as big and then three times,
like laughter and hiccoughs flying among children
whose immortality has turned them
into temporary rubber statues of curvature in confusion
that slides into the appeasement of early evening.
That is, Rena Faye felt better, at least she was able
to know there was a bump on her head, and inside
the bump a small red devil running furiously in place.
Rena Faye is going to be okay, said Roy,
but I wasn’t so sure, there was a doctor involved
and a hospital with a lot of white in it.
The house hadn’t changed, but the barn
was gone and the land stretched out flat
to far away. The horse was still waiting, for what
who knows? I was waiting at the light, and when it changed
I went on across the street
to where another part of town was waiting,
it was Europe and I was in or on it,
I had Europe touching my foot, the train
was pointing its big nose toward the Gare St-Lazare,
where you wake up even if you aren’t asleep.
Rena Faye opened her eyes and said, “I don’t think . . .”
and then a funny look
came across the street toward me, the one big horrible face
of surging forward, but I was like whatever bends
but doesn’t break because I didn’t give a whit about any of it,
I was in the forest and my name was almost Bob and the trees
didn’t care about any of it either because tallness can’t care.
Roy wasn’t really my uncle, we just called him that.
When the sun rose his new picture window could be seen through
to the lone mimosa tree, its pink blossoms smiling frizzily,
and a car went by, not a Chevrolet or a Ford,
not a green or blue car,
just a car, with a person driving it. My notebook
and its pencils were ready to go and I
moved toward them as if music had replaced the sludge
we call air. I.e., Swiss cheese had become gruyère.
The car started, then rolled back and stopped.
We got out and looked, then kicked ourselves. Moon,
is that what that is, that sliver? I was thinking,
the car was not thinking, my pencils were almost thinking,
all three of them, but they took too long and so
time went on ahead without them.
Then an angel from the side touched my head inside
and my head outside surrounded less and less.
His wristwatch is a street, green, yellow, blue, and open
as a meadow in which your parents are grazing
because the fodder and forage are stored away
in the kitchen cabinet too high for them to reach
with their muzzles. And lo the other parents are mooing
plaintively, tethered to an idea they like to dislike:
The fox is free. Silly old cows, the fox is never free,
he is just running, and with good reason, and with good legs,
from the ooga-ooga. Brrrrring!
Waterfall of afternoon!
And I left.
I went east three miles and then
fifteen hundred more, and then
three thousand five hundred more,
and then I turned around
and came back five thousand and no hundred.
My mother was still in the kitchen
standing on the yellow tiles
as dinner rose up out of the pots and pans
and hung in the air while she adjusted it.
Soon Dad came home and we dined
but he didn’t and neither did Mother
and neither did I. We put the food
in our mouths and chewed and swallowed—
it tasted good—and we drank liquids
which also tasted good although
they were across the room and on the wall.
The phone rang. It was meaningless
like a proton, but Mother laughed
and said words that were exactly the words
she would have said, total illusion
and total reality at the same time, just as
Dad coughed fifty years later, it was me coughing,
which is why I left, heading east, and stopped
after fifteen hundred miles, and coughed again.
So this is Echo Lake? Sure looks nice.
Ice had once gone by.
High overhead was an iceberg just checking on things,
wings folded and in flames.
The soul materializes in the form of an echo and says
“I’ve been following you.”
“But you are a shadow and only a shadow!”
“Only in the dark am I a shadow,” the soul replies.
“In the light I am a very good light bulb!”
“You are a big nothing something,” the soul says.
The light changes and I start across.

Friday, December 17, 2010

BLOODHOUND by Ivan Goll

BLOODHOUND



Bloodhound in front of my heart
Watching over my fire
You that feed on bitter kidneys
In the suburb of my misery

With the wet flame of your tongue lick
The salt of my sweat
The sugar of my death

Bloodhound in my flesh
Catch the dreams that fly off from me
Bark at the white ghosts
Bring back to their pen
All my gazelles

And savage the ankles of my fleeting angel



-Translated by Michael Hamburger

Tuesday, December 7, 2010

PEOPLE W/ BARRELS